TOP登陆少年组合在徐州举办的演唱会引发了一场大规模投诉风波。18月21日0时至8月31日8时期间，徐州12345政务热线累计接收48795件诉求。1其中80%以上的投诉围绕舞台内容展开，分别是"要求整改双人/多人舞台"和"要求完整保留双人/多人舞台"两类对立性诉求。1这一现象暴露了粉丝群体利用政务热线进行组织化博弈的问题。
大部分投诉来自粉丝，少数来自粉丝家长。1面对这一异常情况，艺人所属的时代峰峻公司对部分极端粉丝账号采取了限制措施，包括拉黑账号、拒绝购票权益等处理方式。1这一事件引发了对公共资源被滥用和粉丝极端行为的深度反思。
A wave of organized complaints flooded Xuzhou's municipal service hotline following performances by boy group TOP Landing, exposing how fan communities have weaponized government channels to wage disputes over artistic decisions. Between August 21 and 31, the Xuzhou 12345 hotline received 48,795 complaints, with over 80 percent representing opposing demands regarding stage content.1 The volume and nature of the petitions — primarily from fans and some parents of fans — reveal a troubling pattern of coordinated activism that diverts public resources from their intended purpose.
The bulk of complaints centered on two conflicting positions: demands to revise dual and group performance choreography versus calls to preserve those same elements unchanged.1 This polar opposition, concentrated within a narrow timeframe surrounding the four concerts held in the city, underscores how rival fan factions have transformed the government hotline into a battleground for their disputes. Time Peak Century Entertainment, the company managing the group, responded by imposing restrictions on certain extreme fan accounts, including blacklisting and revocation of ticket purchasing privileges.1
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