中国社会科学院考古研究所研究员安家瑶在接受采访时介绍了隋唐都城长安城的规划特点及其对周边地区的影响。长安城总面积约84平方公里，约为汉代长安城的2.4倍，是中古时期世界上规模最大的城市1。该城采用严格的中轴对称设计，分宫城、皇城、郭城三层结构，郭城内南北街道11条、东西街道14条，划分出108个里坊1。
隋唐长安城的规划设计在东亚地区产生了深远的影响。日本自7世纪至8世纪后半段兴建的藤原、难波、平城、长冈、平安五座京城均是效仿隋唐长安城和洛阳城而设计1。朝鲜半岛的新罗以及中亚地区的城市规划也受到了长安城中轴对称、街区划分等特征的深刻影响1。
大明宫作为唐代最大的宫城，其考古发现进一步揭示了东西文化交融的历史图景。1995年至1996年的考古发掘揭露了含元殿龙尾道的形制，与文献记载相符1。大明宫出土的遗物包括葡萄瑞兽纹方砖、狮子纹方砖、石刻佛头、石象座等，反映了丝绸之路上宗教、文化、艺术的交流与融合1。大明宫于2014年作为"丝绸之路：长安—天山廊道的路网"项目列入《世界遗产名录》1。
An interview with An Jiayao, a research fellow at the Institute of Archaeology of the Chinese Academy of Social Sciences, has shed light on the profound impact of Chang'an during the Sui and Tang dynasties on urban planning and cultural exchange in surrounding regions.1
Chang'an, known as Daxing City during the Sui dynasty, covered approximately 84 square kilometers, making it roughly 2.4 times larger than the Han dynasty capital and the largest city in the medieval world at that time.1 The city featured a rigorous axially symmetric design organized into three hierarchical layers: the palace city, imperial city, and outer city, with the outer city divided by eleven north-south streets and fourteen east-west streets that created 108 residential wards.1 This architectural blueprint proved influential far beyond China's borders, as five Japanese capitals—Fujiwara, Namba, Heijo, Nagaoka, and Heian—built between the seventh and mid-eighth centuries were modeled after Chang'an and Luoyang.1
Archaeological excavations conducted between 1995 and 1996 uncovered the structure of the dragon-tail road at Hanyuan Hall, findings that align with historical literary accounts recorded in Li Yu's "Description of the Western Capital" and Li Hua's "Description of Hanyuan Hall."1 The Daming Palace, the largest imperial palace complex of the Tang dynasty, was inscribed on the UNESCO World Heritage List in 2014 as part of the "Silk Road: the Chang'an-Tianshan Corridor Network" project.1 Artifacts recovered from the Daming Palace, including grape-and-auspicious-beast patterned tiles, lion-patterned tiles, stone Buddha heads, and stone elephant seats, reflect the coexistence of multiple religious traditions and demonstrate the religious, cultural, and artistic exchange and fusion that occurred along the Silk Road.1
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