好莱坞近年来频频推出以芭蕾舞演员为杀手的电影题材，引发评论关注。1詹妮弗·劳伦斯2018年主演的《红麻雀》开启了这一风潮，此后《漂亮致命》等多部影片相继采用了这一设定。1最新推出的《From the World of John Wick: Ballerina》由奥斯卡提名演员安娜·德·阿玛斯领衔，继续延续这一题材。1
评论指出，这类题材反映了电影制作中的性别不平等现象。1现实中从未有确认的杀手芭蕾舞者存在，但好莱坞坚持将其作为虚构设定。1值得关注的是，只有女性角色的杀手需要同时被设定为"世界级舞者"，而范·迪塞尔、杰森·斯坦森等男性演员在动作电影中从未被要求展现舞蹈技能。1这种差异待遇突显了电影业中对女性角色的不同标准。1
Hollywood has embraced the "ballerina assassin" trope with striking frequency in recent years, despite the absence of any real-world precedent for such a figure.1 Jennifer Lawrence's 2018 film "Red Sparrow" sparked the trend, which has since expanded to include this year's "Pretty Lethal," starring Uma Thurman, and "From the World of John Wick: Ballerina," headlined by Oscar-nominated actress Ana de Armas.1
A critic writing in commentary on this phenomenon argues that the recurring concept reflects a troubling gender double standard in filmmaking.1 While female action heroes are expected to simultaneously prove themselves as world-class dancers, male performers such as Vin Diesel and Jason Statham have never been required to demonstrate comparable dancing abilities in their action sequences.1 The commentator notes that there has never been a confirmed killer ballerina in reality, yet the film industry continues to mine this fictional premise for dramatic appeal.1
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