深圳市公共文化艺术创作中心于10月19日下午举办第28期"金湖一街36号·文艺讲座"，汇集多家艺术机构的青年文艺家，围绕青年创作与城市发展的关系展开对话。1讲座主题为"我与我城：青年文艺家与深圳的双向生长"，参与者围绕守正传承、当代创新、城市书写等议题进行深入交流。1
艺术家们对当代创作面临的挑战与机遇各抒己见。有文艺工作者指出，当下创作存在"审美的趋同"现象，"题材的取向催生了这种安全美学"。1同时，与会者强调青年文艺要实现"身体、思维、表达三重在场"。1在继承本土艺术传统方面，深圳美术从上世纪90年代以来催生了"城市山水画、都市水墨等本土课题"。1
对于艺术创作与城市关系的理解，讲座参与者提出了新的思考。有艺术家指出，"我随城变"不是随波逐流，而是将城市变动转化为艺术方法。1此外，与会者强调技术在艺术表达中的有限性，认为"技术只是表达媒介，人的切身感知才不可替代"。1讲座旨在探讨青年文艺创作如何在城市现场中扎根生长，以文艺记录和诠释深圳城市发展。1
The Shenzhen Public Culture and Arts Creation Center hosted the 28th installment of its "36 Jinhu Street · Cultural Forum" on the afternoon of October 19, bringing together young artists from multiple cultural institutions to discuss how artistic creation takes root and flourishes within the urban landscape.1 The forum, themed "Me and My City: The Mutual Growth of Young Artists and Shenzhen," centered on how young creators can employ the city itself as a methodology to generate vital local artistic expression.1
Participants engaged in substantive dialogue across three key dimensions: preserving tradition, pursuing contemporary innovation, and documenting urban experience through art.1 Lin Kunchen articulated a vision of artistic presence, asserting that "young artists must achieve simultaneous presence in body, thought, and expression."1 He criticized prevailing tendencies in current creation, identifying "aesthetic homogeneity" and "thematic orientations that have bred a safe aesthetic" as limiting forces in artistic practice.1 Zhang Qin traced Shenzhen's artistic trajectory, noting that since the 1990s the city's visual art scene has generated distinctive local subjects including "urban landscape painting and contemporary ink art."1
Zhou Tianrang underscored the distinction between artistic responsiveness and conformity, explaining that "evolving with the city" does not constitute mere acquiescence but rather the transformation of urban change into artistic methodology.1 Ren Sixi emphasized the enduring primacy of human perception in creative work, stating that "technology is merely a medium of expression; human sensory experience remains irreplaceable."1
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