德国著名导演多丽丝·德里推出新片《温克勒太太离家》，将目光投向人工智能在养老领域的深层伦理困境1。电影以2026年汉堡为背景，讲述一位老年女性依靠内置"生命终结"（EOL）模式的护理机器人生活的故事——该机器人可在患者明确意愿且符合医学标准的情况下协助进行安乐死1。
德里以轻松的手法触及老龄化社会、安乐死伦理、人工智能决策等重大社会议题1。她在谈及创作初衷时强调："当我们不再能与技术保持距离，停止形成自己的想法时，事情就变得有问题了"1。对于人与机器的根本区别，德里指出："游戏是人类特有的能力，机器可能能发起游戏，但游戏本身对人类来说意义深远"1。
鉴于AI在社会中日益扩展的影响力，德里呼吁建立国际监管框架1。她表示："我们曾不得不国际讨论核武器，我们需要对AI快速采取行动"1。德里自1985年凭喜剧《男人们》实现突破以来，通过《樱花绽放》等作品赢得国际认可1。
Renowned German director Doris Dörrie has released a new film, "Mrs. Winkler Leaves Home," set in Hamburg in October 2026, that examines the intersection of aging societies, artificial intelligence, and euthanasia through the story of an elderly woman living with a care robot equipped with an end-of-life assistance function 1. The robot's "end-of-life" (EOL) mode is designed to facilitate euthanasia when a patient expresses clear intent and medical criteria are met 1.
Through this speculative narrative, Dörrie explores profound questions about humanity's relationship with technology and the need for AI governance. She remarked, "When we can no longer maintain distance from technology and stop forming our own thoughts, things become problematic" 1. The director emphasized a fundamental distinction between humans and machines, noting that "play is a uniquely human capability; while machines may be able to initiate games, play itself carries deep meaning for humans" 1. Dörrie called for swift international action on AI regulation, stating, "We once had to have international discussions about nuclear weapons, and we need to act quickly on AI" 1.
Dörrie achieved her breakthrough in 1985 with the comedy "Men," and later earned international recognition with films such as "Cherry Blossoms" 1.
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