聋人艺术家艾琳·霍卢布创作的剧院作品《沉默的宣言》于2025年10月7日在澳大利亚墨尔本艺术馆首演，10月12日闭演1。该作品由六名聋人表演者以澳洲手语和肢体表演呈现，从聋人视角重新审视舞台艺术形式1。
作品以1880年米兰会议为核心，探讨这次历史会议对聋人社群的压制性影响1。该会议推动了对手语的压制，世界聋人联合会主席约瑟夫·穆瑞指出："由于1880年会议，已有14代聋人儿童经历语言剥夺"1。《沉默的宣言》通过澳洲手语诗歌、视觉方言、舞蹈和视觉设计等艺术手法，对语言压制和聋人身份进行讨论1。
演出中没有澳洲手语到英语的口译，直接面向聋人观众呈现1。这一选择体现了作品集体处理与疗愈共同历史创伤的本质——聋人观众能够通过共同的视觉语言和经历，在剧场中建立联系并处理共同的历史伤痛1。
"Manifesto of Silences," a theatrical work created by Deaf artist Irene Holub, premiered at Arts House in Melbourne as part of the Melbourne Arts Festival, featuring six Deaf performers employing Australian Sign Language and physical performance.1 The production centers on the 1880 Milan Conference, reexamining how this historical gathering imposed suppressive policies on the Deaf community through the lens of sign language artistry, visual dialect, dance, and design.1
The work draws particular attention to the lasting consequences of the Milan Conference, which advanced the suppression of sign language globally. According to World Federation of the Deaf President Joseph Murray, "fourteen generations of Deaf children have experienced language deprivation as a result of the 1880 conference."1 By employing Australian Sign Language poetry and visual storytelling, Holub's production aims to collectively process and heal shared historical trauma within the Deaf community.1 Notably, the performance contains no Australian Sign Language-to-English interpretation, addressing its audience directly as Deaf viewers.1 The production ran from October 7 to October 12, 2025, at Arts House.1
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