历史学家Tom Griffiths最近出版的著作《Alice's dreaming》以20世纪初昆州Channel Country地区的白人女性Alice Duncan-Kemp为中心，深入探讨了她与Mithaka原住民的接触及其文化观察。1Duncan-Kemp（1901-1988）在位于Birdsville和Windorah之间的Mooraberrie牧场长大，基于与Mithaka人的亲密接触，生前出版了4本著作，另有1部作品在其去世后发表。1她的观察工作对2015年Mithaka人原住民土地权的正式确认产生了重要支撑作用。1
Griffiths的著作探讨了"Dreaming"（梦幻时代）这一核心文化概念在Duncan-Kemp身上的应用。记录显示，她两岁时在Bullo River涉水事故中幸存，该经历与Mithaka的Dreaming母体形象Yammacoona产生了关联。1然而，Duncan-Kemp的遗产存在复杂性。Channel Country曾发生过超过一打重大大屠杀，主要在水源地进行，通常涉及原住民骑警。1同时，1897年的压制性法案在昆州保留地上确立了大规模收容制度，Mithaka人在Mooraberrie从事包括畜牧和家务劳动在内的无薪工作。1此外，Duncan-Kemp的著作中存在严重的抄袭问题。1虽然她对原住民文化进行了同情与细致的观察，但这一复杂的殖民历史背景使她的文化贡献难以简单评价。1
Historian Tom Griffiths has examined the life and work of Alice Duncan-Kemp, a white woman who grew up at Mooraberrie station in Queensland's Channel Country between Birdsville and Windorah during the early twentieth century, in his book Alice's Dreaming.1 Duncan-Kemp produced four published works during her lifetime and one posthumous publication, all based on her intimate contact with the Mithaka people.1 Her detailed observations of Mithaka culture proved significant enough to support the 2015 Indigenous land rights determination that recognized the Mithaka as the traditional owners of the region.1
Griffiths's work explores how the concept of "Dreaming" connected to Duncan-Kemp, despite her being a white child.1 According to recorded accounts, Duncan-Kemp survived a wading incident at Bullo River at age two, creating an association with Yammacoona, a Dreaming ancestral figure of the Mithaka.1 However, Duncan-Kemp's sympathetic documentation of Indigenous culture exists within a broader context of severe colonial violence and exploitation.1 The Channel Country had witnessed more than a dozen major massacres, predominantly at water sources and often involving Aboriginal police.1 A repressive 1897 Queensland law mandated large-scale confinement of Aboriginal people on reserves, and the Mithaka at Mooraberrie were subjected to unpaid labor, including pastoral work and domestic service.1 While Griffiths's book presents the vitality of Indigenous culture alongside this violent historical context, Duncan-Kemp's published works contained serious plagiarism issues.1
评论
还没有评论，欢迎留下第一条。